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Associazione 21 Luglio, a Roma-based NGO, urgently appealed to the ECHR for interim measures to halt the imminent eviction and ensure genuine consultation and adequate rehousing options for all long-standing inhabitants of the camp. The Court granting the application instructed this week the Italian authorities to halt the eviction until at least 27 July. Nonetheless, the Rome authorities proceeded with the forced eviction citing hygiene reasonings. According to Associazione 21 Luglio, around people have been left without any alternative housing. Forced evictions are prohibited under international law in all circumstances regardless of the motivations. Italy is obliged under a number of international and regional treaties including the UN International Covenant on Economic, Social and Cultural Rights and the European Convention on Human Rights not to carry out or facilitate forced evictions.
This terracotta group holds a truly eminent place in world of sixteenth-century Italian sculpture. The original gilding of the piece, applied to imitate the gleaming effects of a bronze statue, has survived only in a few scattered traces, on a thin preparatory layer of ochre colour. The refinement of the modelling leads experts to believe that the sculpture is not a trial piece for a later casting, but is itself an autonomous work destined for display in a Renaissance mansion. The composition reveals the artist's familiarity with Leonardo da Vinci's studies for his Sforza Monument, and in the figure of the vanquished man, one can detect a reference to Leonardo's Battle of Anghiari. Such derivations from Leonardo have led past scholars to assign the execution of the terracotta to Giovanni Francesco Rustici. Recent criticism, noting the lyricism of the figure's poses, tends to attribute the work to Jacopo Sansovino, or to a workshop whose most gifted collaborator was Sansovino.